|
Twice a year, the Arts & Education Council
offers a series of twelve independent films to the Chattanooga community,
films that would otherwise be unavailable on the city's big screen. Shown
each fall and spring at the downtown Bijou Theatre, the films are chosen
carefully to create a diverse series of thought-provoking and
award-winning independent films.
A discount card may be purchased for this
spring series for $5 and will entitle cardholders to discounted prices
on evening shows. All proceeds from discount cards benefit the Arts &
Education Council. Cards will be sold at the Bijou Theatre or by calling
267-1218.
The following films will be show for one week
each starting August 30, 2002. Call the Bijou Theatre at 423-265-5220
for times. Log on to
Carmike Bijou Theatre for weekly show times.
|
|
August 30-September 5
POSSESSION
Directed by: Neil LaBute (Nurse Betty, In The Company of Men)
United Kingdom
Based on the A.S. Byatt novel, Possession suggests that our
knowledge of history is nothing less than misinformed. Two literary
sleuths fall in love during an amateur detective mission that seeks
to shed light on the omantic, extra-marital exploits of the
fictional poet Randolph Henry Ash (played in flashbacks by Jeremy
Northam). The discovery of an unfinished love letter leads to the
assumption that Ash may have been engaged in an illicit affair with
fictional poetress and maybe-lesbian Christabel LaMotte (Jennifer
Ehle). Maud Bailey (Gwyneth Paltrow) and Roland Michell (Aaron
Eckhard) scale the British countryside for missing pieces to the
puzzle just as the director begins to draw comparisons between the
poet couple and the modern sleuths that resist romantic ideality. |
 |
 |
 |
September 6-12
MONSOON WEDDING
Directed by Mira Nair (Mississippi Masala, Salaam Bombay)
In English, Hindi, and Punjabi with subtitles "This film is an
infectious celebration of life and love." The primary story concerns
the impending nuptials of Aditi (Vasundhara Das) and Hemant (Parvin
Daba), a couple who are getting to know one another after agreeing
to participate in an arranged marriage. Aditi is a lively young
woman who is trying to conclude a dead-end relationship with her
boss, and Hemant is a Texan engineer interested in finding a bride
who shares his roots and heritage. As Aditi and Hemant are forging a
fragile bond, Aditi's boss predatorily moves back into the picture
and threatens both the marriage and Aditi's future happiness.
Complementing the story are a pair of other tales one dark and one
light. The wedding coordinator suddenly falls for the shy and
insecure Alice, Aditi's maid. Meanwhile, Aditi's cousin reveals a
malignant secret about how she was sexually abused two decades
earlier by a family member who may be attempting to repeat the
offense with another young girl. |
 |
 |
 |
September 13-19
READ MY LIPS
Directed by: Jacques Audiard
French with English subtitles
Despite evidence tying Read My Lips to Hitchcock's Rear Window, this
film refuses any kind of genre classification. The story is of a
power struggle between the frumpy, deaf secretary Carla (Emmanuelle
Devos) and the ex-con Paul (Vincent Cassel). Carla has willingly
shut herself out from the rest of the world by removing her hearing
aides and indeed seems more comfortable in the silence; as an avid
lip reader, she can decode the world around her. Both characters are
overly conscious of how they can exploit each other's talents,
creating a fascinating interdependence based on unspoken trust and a
series of daring demands: Carla uses Paul to beat up a co-worker,
and Paul uses Carla to decipher a scheme being planned by his
employer Marchand (Olivier Gourmet). Devos won this year's Cesar
Award for Best Actress for her performance. |
 |
 |
 |
September 20-26
13 CONVERSATIONS ABOUT ONE THING
Directed by: Jill Sprecher and Karen Sprecher
USA
Not unlike Jill Sprecher's first film, Clockwatchers, 13
Conversations About One Thing comes from that extra ethereal part of
New York City populated by contemplative, dejected working stiffs.
The 13 conversations are, more or less, about fate: bringing people
together and tearing them apart. Having these "conversations" are
the middle management claim adjuster, Gene (Alan Arkin), his druggie
son who won't stop smiling, the hotshot lawyer, Troy (Matthew
McConaughey), and his housekeeper Beatrice to name a few. With all
the blanket statements on vanity, class difference, and the worries
of the rich, 13 Conversations is a meandering sermon for most of its
running time. |
 |
 |
 |
September 27-October 3
LATE MARRIAGE
Directed by: Dover Kosashvili (By The Law)
Hebrew and Georgian with English subtitles
Zaza (Lior Loui Ashkenazi) is in love with the strong-willed Judith
(Roni Elkabetz), a divorcee with a 6-year-old daughter who is less
than ideal wife material by his parents' standards. Zaza's mother
Lily (Lili Kosashvili) still hopes to marry her son to a local
17-year-old with aspirations of becoming a fashion designer. It's no
wonder that Zaza comes to question God's existence when marriage has
come to resemble something not unlike a Medieval barter (phrases
uttered here include "Did you close the deal?" and "Go get the
girl"). After invading Judith's home, Zaza's entire family judges
the cleanliness of her kitchen, her groceries and her love for Zaza,
and with parental desperation even threatens to kill her. Kosashvili
never shies away from poking fun at the tyranny of his religion's
traditions though it becomes increasingly difficult to tell when the
satire ends and reality begins. |
 |
 |
 |
October 4-10
NINE QUEENS
Directed and written by: Fabián Bielinksy (I Got A Woman)
Spanish with English subtitles
Professional swindler Marco (Ricardo Darin) unites with small time
crook Juan (Gaston Pauls) in order to dupe a rich mafioso with fake
renditions of the ultra-valuable rare stamps, The Nine Queens. Juan
pays a visit to his father in jail and Marco quibbles with his
brother and sister over the money he underhandedly signed over to
himself after their grandmother's death. Nothing's at stake, just a
twisty double-cross that -- though predictable at times -- is a lot
of fun. Bielinksy's compositions are smooth and efficient while
Darin and Pauls share the kind of soulful camaraderie that Mamet and
Hitchcock could only dream of. |
 |
 |
 |
October 11-17
MY WIFE AS AN ACTRESS
Directed by: Yvan Attal
French with English subtitles
Written by, directed by, and starring Yvan Attal, this French serio-comedy
addresses the question of how actors and their significant others
deal with love scenes. Attal plays a Paris sportswriter married to a
famous actress, conveniently played by Attal's real life wife
Charlotte Gainsbourg. In the film, Yvan is driven to jealousy by an
unrelenting barrage of questions from members of the public, some of
whom assume as a matter of course that Charlotte really does sleep
with her co-stars. He smashes one guy in the nose, but that doesn't
help, and when Charlotte goes to London to work with a big star
(Terence Stamp), Yvan all but pushes her into his arms to prove his
point. |
 |
 |
 |
October 18-24
24 HOUR PARTY PEOPLE
Directed by: Michael Winterbottom (The Claim, Jude)
United Kingdom
It is 1976 in Machester, England. Tony Wilson (Steve Coogan) is an
ambitious TV news reporter that attends the first lengendary Sex
Pistols concert which changes his life forever. He convinces his
station to televise one of their concerts and soon punk groups from
all over are after him to manage them. Tony and his friends start a
record label called Factory Records and opens the infamous Hacienda
Club where bands like Joy Division, New Order, Stone Roses and Happy
Mondays make their start that soon after changes the music industry.
The soundtrack is jam packed full and there are a mixture of
newsreel footage with the made-up stuff along with celebrity cameos
which includes the real Tony Wilson whose life this is based on. The
film, like the music, is outspoken, roaringly funny and in your
face. |
 |
 |
 |
October 25-31
SECRET BALLOT
Directed by: Babak Payami (One More Day)
Iranian with English subtitles
This film is set on an island off the coast of Iran which is
experiencing its first free election and the Iranian government is
so intent on its citizens voting that they send an election agent
with the ballot box in hand to collect votes. The agent (a woman)
represents the voice of the new and the soldier who is to accompany
her (a man) is a symbol of the conservative past. They both
encounter various situations and people which makes them re-examine
their own ideals. Joe Leydon, of The Examiner described the film as
follows: "By turns whimsical and absurdist, Babek Payami's 'Secret
Ballot' is a slight but likeable Iranian film with the flavor of a
shaggy-dog story concieved by Samuel Beckett and directed by Jim
Jarmusch." |
 |
 |
 |
November 1-7
QUITTING
Directed by: Yang Zhang (Shower)
Mandarin with English subtitles
Based on the true story of Jia Hongsheng, a fairly well-known actor
of TV and Chinese action films from the late eighties/early
nineties, who tried to come to grips with himself and his
environment after withdrawing from a drug addiction which caused him
to ruin and terrorize his family until he was institutionalized and
reeducated in the 1990's. He lives with his sister and his parents
eventually move in to try to help him, but all he wants to do is
listen to Beatles records. Most of the characters in the film are
actually played by the real people that lived the story not too many
years before. (His parents are actors in real life.) The acting is
well done and there is bitter humor throughout the story. |
 |
 |
 |
November 8-14
TO BE ANNOUNCED! |
 |
 |
Additional AEC Independent Film
Series sponsors include |
 |
|